Posts Tagged ‘cabaret du mile end’

Lusine, Local Natives, The Besnard Lakes

April 14, 2013

Hello all. I’ve seen some really great concerts lately, but unfortunately have been too busy to give them proper reviews, so here are some mini-reviews of the three best live shows I’ve seen in Montreal this spring …

LUSINE AT O PATROS VYS

lusine

22 march 2013

Jeff McIlwain aka Lusine has been producing his visceral, melodic strain of electronic music for over a decade now and I was lucky enough to catch him play a live set at O Patros Vys, in support of his excellent new album The Waiting Room. McIlwain is an underrated legend in the electronic music scene. Unlike some of his contemporaries, Lusine has never been in the forefront of the scene, has never played huge venues or been super hyped about on music blogs, yet he is revered by those in the know – and has been perfecting his bubbly analogue techno for years now. His live set was great and he kept the crowd dancing from beginning to end. He doesn’t tour very often so if he plays your town make sure you check him out. Love it.

LOCAL NATIVES AT LE NATIONAL

local natives

29 march 2013

L.A. scenesters Local Natives returned to Montreal in support of their sophomore album Hummingbird and played to a sold out crowd at Le National. I saw them the first time around in 2010 in Toronto and was very impressed and can only say their show has gotten even better. What impressed me most was their live vocal chops, as they effortlessly hit every note, whether in chorus or alone, reminding me at times of the powerful harmonies of Crosby, Stills and Nash — which is no small feat. The crowd sang and chanted along with the band (myself included), making it feel as if Local Natives have been around forever.

The songs from their debut album Gorilla Manor were absolutely amazing live – incredibly tight and soaring to new heights from the recorded material. The newer tracks, however, failed to reach the same heights live, as you could tell they were still working them out, still smoothing out the kinks a bit, but that didn’t mean they weren’t great too, they just paled a bit in sonic comparison. Overall, this show was powerful, emotional, and a tour de force from a young band still realizing their full potential. Great stuff!

THE BESNARD LAKES AT CABARET DU MILE END

blue light

13 april 2013

The mighty Besnards celebrated the release of their fourth record, Until in Excess, Imperceptible UFO and rocked out to a capacity crowd at Cabaret du Mile End. As always, their show was fantastic – they always sound even better live than on record and something about Jace Lasek’s voice and giant presence (not to mention the smoke machine and flashing lights) make The Besnard Lakes seem larger than life. I’ve seen them five times now and every time I’m happily transported on their sonic journey with them.

The band blasted through every song on their new record and were so tight it already sounded like they’ve been playing them for years. Rich White’s guitar was loud, and Jace Lasek’s voice was immaculate, as was Olga Goreas’ driving bass. They had vibraphone accompaniment for four songs, plus some horns and back up singers, which all helped expand their sound. New tracks “The Specter” and “Colour Yr Lights In” were highlights, and their new album shows a further maturity to the band’s talent as songwriters. To sum, The Besnard Lakes are most definitely still the roaring night. Fantastic show.

Grimes at Cabaret du Mile End in Montreal

April 7, 2012

31 March 2012

It-girl Claire Boucher aka Grimes, finished up her first headlining tour in the city where it all began, playing to a sold out crowd at Cabaret du Mile End. She started the show solo on stage, twiddling knobs and building loops of voice and synth to excellent effect, yet it wasn’t until openers Born Gold joined her on stage to help flesh out her sound that the show really started to cook. The concert showcased tracks from her critically acclaimed new album Visions as well as a few older songs, like the hypnotic “Vanessa”. Grimes was particularly cute and awkward on stage, seeming a bit nervous and shy, continually asking the sound guy to “turn down the lights” and “turn up the music”.

And once the lights went down and the sound went up Grimes seemed much more in her element, letting her inhibitions go and her voice soar. And for the most part, she totally had the vocal chops live, although I did notice some voice loops assisting her once in awhile, most notably during the high parts of “Be a Body”. Production wise I was very impressed as the songs took on a grittier, darker vibe than they have on the album. The bass thumped hard, the snare pops rattled, and the synths coalesced into an analogue swirl of sound indebted to the work of Aphex. In sum, it was a great show, and I think she should seriously consider having Born Gold accompany her on the next tour, because I’m unsure as to whether the show would have had the same sense of freshness and urgency if they weren’t helping propel her sound farther and louder.

Still, in my opinion, Grimes should be playing at this year’s Mutek, as she seems to be on the cusp of a whole new wave of young electronic artists further pushing the boundaries of genre and technology. I digs.

Best track: “Life After Death