Posts Tagged ‘folk’

Kurt Vile – Smoke Ring For My Halo

August 28, 2011

Philadelphia singer/songwriter, Kurt Vile released the excellent Smoke Ring For My Halo in the spring of this year courtesy of Matador Records, and it’s been on constant rotation in my living room ever since. He first popped on my aural radar when he played at The Great Hall in Toronto as part of Canadian Music Week, opening up for J. Mascis. I caught the last song of his set and quickly realized his music was not to be ignored, Vile was not an artist to simply be left as a name constantly seen hyped and reviewed on music sites, but instead one to get immersed in.

And his fourth album, Smoke Ring For My Halo is definitely an immersive experience, offering up the best of Americana, reminiscent of Tom Petty, Bob Dylan, The Rolling Stones, and the finest folk and lo-fi rock and roll. The beauty is in the subtlety and strength of his songwriting. Vile’s lyrics are dark and lonesome, delivered in a laconic style that’s all his own. He tends to drag out words or syllables providing the perfect counterpart to his skilled finger-plucking or guitar strums. Vile also seems to be working with the idea of restraint here, as many of the songs could easily blow up into full out jams, yet he and his backing band The Violators rarely let this happen. There is however a great fuzzy climax to “On Tour”, but even here the distortion never gets carried away — the listener is able to feel the closing kick, yet still be privy to the swirling combination of keyboard, harp, slide guitar, and mellotron orbiting Vile’s guitar. It’s truly great stuff.

Tracks like “Runner Up”, “Peeping Tomboy”, “Baby’s Arms”, and “Ghost Town” are slow, sparse, and poignant, and reveal Vile’s adeptness at being one of the best songwriters out there. He creates more than just mood here, he’s created a listening experience in the classic sense, one in which you put the album on and languidly float off for 45 minutes in Vile’s sonic yet relaxed musical realm.

Smoke Ring is buoyed by a pervasive lightness, it ambles along easily, sneers at you, shrugs, and yearns all in equal measure. The refrains and hooks will keep you coming back to the album time and again, and with each listen Vile seems to pull you a bit deeper into his slightly slanted yet inherently enchanted world. There ain’t a throwaway track on the album and the result, Smoke Ring For My Halo is one of the finest records of 2011.

Check it.

Bibio (Warp Records)

June 19, 2009

WARP177

Stephen Wilkinson (aka Bibio) will release his first album for the historic Warp imprint on this year’s summer solstice. This is exciting not just for Wilkinson as a musician (making the jump from the respectable Mush label to one of electronica’s most revered and genre-defining), but also for us the listeners. Why you ask? Because Bibio’s sound has taken quite a jump as well.

His 2005 debut “Fi” and 2006’s “Hand-Cranked” received constant rotation in my waking hours of those years, but his recent release “Vignetting the Compost” was a bit of a disappointment. For all intents and purposes “Vignetting” is a fine album, but it sounds kind of uninspired to me. That’s why “Ambivalence Avenue” is so thrilling. It’s Bibio 2.0 – the production is amped, the song writing more structured and deliberate, and his style has gone from hushed morningtronica to an excellent balance of fractured beats à la Flying Lotus to tender folk à la Crosby, Stills and Nash. And it really works.

The album’s release on the first day of summer is fitting, and so far is in the running for tops of the season. Wilkinson may have very well carved a niche for himself here, stepping out of the Boards of Canada shadow that helped launch his career, but at the same time pigeon-holed his sound. “Ambivalence Avenue” is a sunny yet thoughtful album, perfect for drives on winding highways, impromptu kitchen parties, campfires, picnics, and stoned afternoon bike rides.

Dig it. Welcome summer 2009.

Edit: “The Apple and The Tooth” remix album comes out in mid-November courtesy of Warp Records. It’s a great re-interpretation of choice tracks from “Ambivalence”, as well as, four new songs from the man himself. Nice! It’s got remixes from Wax Stag, Gentleman Losers, Leatherette, Lone, Eskmo, and more! A really tight postscript for Bibio’s sound in 2009. Check it and wreck it!

apple & the tooth