Posts Tagged ‘fourtet’

Four Tet – There is Love in You (Domino)

January 23, 2010


 

Leftfield electronic producer Kieran Hebden returns this year with his true follow-up to breakout record “Rounds” with “There is Love in You”, the first great album of 2010.

The abstract organic melodies meshed with beats, noise, and weird samples that made “Rounds” so compelling have returned in full flourish. I kinda lost interest with Hebden after “Rounds”, but he returned bright and glowing on my radar last year with his fabulous collabaration with Burial (their track “Moth” being my favourite single of 2009), and so I felt it was time to give him another try. I’m glad I did because as soon as “There is Love in You” begins with the beautiful stuttering female vocals on “Angel Echoes” I was immediately pulled in. What a great opener, and it just gets better from there. The driving two-step beat of the nine-minute “Love Cry”, will have you up and shaking booty in your living room, as the track builds to a fractured 4/4 tempo and female vocals purr the song’s title over and over. It’s hypnotic and beautifully produced and will no doubt be subject to many a remix. A definite hitter of a track.

The album fluctuates from beat-oriented tracks like “Sing” and the awesome “Plastic People” to more esoteric compositions like “This Unfolds” and “Circling”, which build on loops of sound and guitar, and could end up sounding jarring in the hands of one less skilled in his craft. Closing track “She Just Likes To Fight” is the album’s most accessible, an almost poppy, guitar-based song reminiscent of The Sea and Cake that ends the album quite nicely.

Kieran Hebden has released one hell of a satisfying recording, and he’s set an excellent standard for electronic music in 2010.

Bring it. Love it.
 

Check out a live version of “Angel Echoes” from a session done with the BBC’s Radio One…

Fab Collab from Burial & Four Tet

May 6, 2009

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Yes. I have it. Yes. I can’t stop listening to it. This two track EP is called “Moth/Wolf Cub” and it merges the musical stylings of leftfield producer Kieran Hebden with dubstep pundit Will Bevam. For electronic music nerds like myself, there really hasn’t been a more exciting release this year. Burial blasted my listening palette wide the fuck open two years ago when I first heard “Untrue”. The beats so simple, the vocals so strange, the bass so deeeep. That whole album makes me feel like I’m in the bathroom of a club, hiding in a stall, mashed on pills and hearing the throb of the music through the bathroom wall. Lucid, yet muddled. Digital yet organic. God I hate using adjectives to describe music.

The opening track “Moth” is a piece of pure 4/4 beauty. Reminiscent of warm Detroit minimalism and Boards of Canada, yet still sounding exactly how you’d imagine Burial and Four Tet would sound if slapped together. It has the feel of a classic techno track, one with warmth, soul and that steady 4/4 beat. The flipside is a bit more abstract, the beats more chaotic, but it reveals a tight meshing of both artists distinct styles and sounds.

I fucking love this.

“Moth” may be my fave track of the year so far. If you can find it, check it!!